Remote A2 (Audio Assist for Live Studio Productions, Sports)

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Your New Role: 
The Remote A2 (Audio Assist) is the extension of the A1 and the main audio point of contact when the A1 is not at site. They will work closely with the show Audio Engineer (A1) to determine the technical audio needs of a remote production. The Remote A2 will be capable of providing accurate and precise real-time information or feedback to the Audio Engineer (A1) to resolve any issues during a production.  This position would be responsible for anticipating potential points of failure in the audio workflow or equipment and point it out to the Audio Engineer (A1). 

Your Role Accountabilities: 

MFP PRODUCTIONS 

• Works with the show Audio Engineer (A1) to ensure proper equipment is set up and prepared to technically accomplish assigned production (microphones, antennas, belt packs, etc.) 

• The Remote A2 will lead the rest of the A2s at site to complete all tasks in a timely and professional manner 

• Build, save, and recall basic audio console and intercom setups 

ALL Productions 

• Collaborates with the show Audio Engineer (A1) to fax all microphones, IFBs and COMMS channels prior to show and troubleshoot any issues 

• Properly dresses the microphone and IFB for Productions as needed 

• During productions, monitor the audio signal flow, battery levels and frequencies for microphones, IFBs and COMMs channels 

• During production be ready to adjust microphones, IFBs, belt packs or any other piece of audio equipment as necessary or assigned by the Audio Engineer (A1) 

• Maintain a clean and orderly workstation before and during Productions.  After the Production is complete, be responsible that all equipment is returned and in working order. If equipment is damaged, report damage to Tech Manager and assist in getting the proper repair/replacement started

Qualifications & Experiences: 

• 5 - 7 years of network level broadcast production experience as an Audio Assist (A2) for live/taped studio and/or remote (on location) productions 

• In-depth knowledge of audio signal flow including but not limited to, networ