Senior Graphic and Brand Designer

About Us

STARK is a new kind of defence technology company revolutionising the way autonomous systems are deployed across multiple domains. We design, develop, and manufacture high-performance unmanned systems that are software-defined, mass-scalable, and cost-effective. This provides our operators with a decisive edge in highly contested environments.

We are focused on delivering deployable, high-performance systems, not future promises. In a time of rising threats, STARK is bolstering the technological edge of NATO Allies and their Partners to deter aggression and defend Europe today.

Your mission

We are looking for a designer who understands that typography, layout, motion, and hierarchy are structural tools. Someone who can build, maintain, and scale a precise brand design system and is equally comfortable making things.

Brand is a system. Not decoration.

We build advanced autonomous defense systems. It is a world of uncompromising hardware, AI-driven software, and a strictly operator-focused approach. Our work bridges the physical and the digital, requiring a brand system that feels as precise on a machined piece of equipment as it does in a digital interface.

Responsibilities

• Design within and evolve a brand system

• Create clear typographic hierarchies and disciplined layouts

• Translate complex ideas into structured visual communication

• Build templates, assets, and reusable components

• Produce motion, visualizations, and presentations that explain technology

• Design across scales — from brand assets to installation visuals

You

• Think in grids, ratios, and systems

• Are typography-obsessed

• Care about precision, spacing, alignment

• Are a hands-on maker

• Enjoy technology, engineering, and complex products

• Use motion and visualization to explain how things work

• Prefer clarity over decoration

Qualifications

• Figma, Adobe, AI

• After Effects, Blender, Cinema4D, Spline.

• Experience with tools like: Unreal, Blender, Houdini, etc.

• Grids, ratios, and an obsessive eye for type